
Ekphrasis/Madonna and my feelings about the archetype of Mary from childhood imagination. My fourth trimester and its contemplations, my body memory, my Mary memory. The mysticism of cesarean birth recovery and bodyfeeding and raising a son from spirit, a child from scratch. Images from fourth trimester, shuffled timeline, shuffled memory, shuffled cards.

Birth, when everything culminates and I’m on the edge of my seat, waiting, hovering, crowning begins, first a pulse and a push and soon dark hair starts appearing in the mirror, an invitation to reach through and touch your baby’s head, through legs and water and worlds, assurance and surrealism felt with your fingertips. The edge of time, a moment, the moment between pushing them into the world and holding the world, suspended in that silvery reflection.

Afterbirth, a baby in your arms, still pregnant, still tethered, still attached, still pregnant, waiting for placenta, delivering the after birth, the aftermath of everything that has just transpired, 10 minutes 10 hours 10 months and still longer, stretching long long long enough like your arms reaching, like her umbilical cord, long enough to still be pregnant with baby on your chest. Two worlds, light leaks, blood streaks between thighs, between time and space, preparing for one final push.

Epilogue/Benediction
In the middle of the night, I touch the crown of his head - an orb at the top of my uterus, beneath my ribcage, beneath my heart. I will gently touch it like the beginning of a prayer, like holy water on the tips of my fingers, like the “son” in the sign of the cross. I touch his head, offering or receiving blessing, knowing he’s still breech, knowing he’s mine. I said gestation felt more like science fiction than spiritual phenomenon, but now I’m not so sure what the difference is between the two.

Early this morning, I watched a full moon set over the water while feeding my son, feeding him with my full being (bodyfeeding) and observing that glowing face, staring back at me, observing the moon. Strawberry moon, the name in June, low-hanging fruit, a red orb in the sky. Memory, back in the OR, watching a full moon rise up over the blue, glowing and hovering above the body that is her entire world. Present moment, looking down at my sleeping child then back up into the sky, and the moon has already disappeared into the blue.

Placenta magic placental lore, the stories of mine and yours, the mythos of after birth and interpreting tea leaves, every vessel and artery read like a palm or tarot card.
Placenta magic, my reminder that gestation is science fiction and birth a religion and postpartum our opportunity to divine. The afterbirth of everything that came before, now imprinted on my psyche and my palms and my uterine wall, a hallway of memories and a pulsing umbilical cord tied up in a true knot.

My child, my son! Speed of light, here we are on the other side of a year and your eyelashes as long as ever, five teeth, lighter hair, mysterious eye color (still!) and all joy, a complete time warp, traveling through space to bring you here and submit myself to the stretchiness of parenthood, my limbs elongated to catch, cradle, release back into the world but still close enough for you to crawl pull and ask "up!" and up we go.Solar returns mean something more now, us orbiting together!

Embracing the blur and the improvisation of birth. Baby’s rotation into the world, my rotation around the room, orbiting the scene like a comet. Birth teaches me how to listen with my body, to see with a sixth sense - soft focus.

Fresh from the womb and welcomed by a flash from my disposable camera. Those first few moments of chaos/emotion/fluid/pulsing/vernix/oxytocin happen very quickly but I feel like I'm moving through water. Sometimes I don't get "the shot", sometimes my finger is in the way or the image is blurry from circling the scene trying to find my pocket of space. I'm swimming, orbiting, inhaling the scent of those first several minutes while I'm gently crying on the other side of my camera because your baby is finally here.

Ovulation, implantation, the rapid work of cells dividing, my self dividing, the transformation of self-portraits. Obsession with the ballet Swan Lake because she’s two swans in one. I had dreams about twins, two in one, that returned last night. The shapeshifting of parenthood, an anniversary, an homage to the beginning of this molting process, my swan song, my dueling self. Before this there was a history of phases, short cycles, small bursts. Ovulation, luteal, bleed, swell. Fallopian tubes, ovaries, follicles, endometrium, my comfort zone. I’m a different creature now, no bleeding, no fallopian tubes, no ovulation, instead milk and prolactin and the constancy of a strange new body that feels like a river turning into an ocean or Odette transforming into Odile and back again, two in one.

New year, new third trimester. I’m thinking about the moon, thinking about my amniotic belly and then the ocean, thinking about a dead seagull on the shore. I’m thinking about the time and care that goes into growing an intricate body and then I think about all the bodies in Gaza. My baby undulates like an ocean creature inside of me, my uterus squeezes back. I think about holding them, holding time, holding it together and then I think again about Gaza. Images in my mind of held loved ones, shrouded ones, the smallest and oldest ones, rocking back and forth. I think I’ll always remember this gestation like something orbiting an inhumane genocide, circling me closer to my own humanity and stretching the limits of my ability to hold a glorious and horrible thing simultaneously (holding it together). Now I’m thinking about entering the Year of the Snake - the looping serpent tattoo on my thigh, the sea creature inside of me.

I’m thinking about umbilical cords, thinking about tethers, thinking about lifelines and life forces, thinking about Gaza. I’m thinking about how I’ve suspended the name of that place in my mouth, how my son practices new sounds with his mouth for the first time, how he’s still tethered to me even though the cord is gone, how I’m still connected to him. I’m thinking about everything that goes into forming a human and feeding, protecting and raising a human and I’m thinking about all the invisible umbilical cords in Gaza, tethers cut too early. My mouth is holding the word gauze, Gaza, gazing and my body is pulsing with blood red rage and my son sleeps on my chest, tethered. I’m thinking about all the babies that I’ve seen enter the world and I struggle to fathom the scale of all the babies in Gaza shrouded in gauze while I gaze at my son.

Birth, the iconography of labor, mother Mary on the wall looking down with her gesturing arms, holy waters breaking in the tub, a gush of blood, a baby. Prayer in the form of repetition, every 5 minutes, 4 minutes, 3 minutes, beads for contractions, beads for prayer and for pressure. Subliminally, I think about our childhood home, manzanita trees peeling, two oval windows, the peacocks crying and running through water. Two placentas buried in the ground, pink and white dogwoods blooming, two prayers in the ground, the iconography of labor. I think about my atheism and her Catholicism and the two oval windows facing one another in the house where we were born.

Contractions on the bathroom floor - primal and spiritual, the labor of childbirth and the surrender of self. I'm sitting in the corner, in the corner of that other world, the underworld, with a plastic camera and a flash, with the cords from the nitrous oxide and the IV line just like umbilical cords tethering the labor world to the everyday world, the primal to the sublime. I'm always in your corner at your labor, mirroring with a squat and an exhale and cheering you on, with a flash.

Birth! The flash of precipitous labor and the flash of my camera, the rush of adrenaline and rush of fluids and blood, then a final push and a pulsing cord and oxytocin floods everything, everyone in the room can feel it. This birth was my first birth after becoming pregnant, 5wks along and I was barely certain until this labor when my whole body knew.

“Primipara” or primip, someone who gives birth for the first time. This primipara moved through active labor so fast that I missed her birth. I’d seen her earlier that day, reclining in her bathtub and describing the peak of the contractions as a small hill (not a large wave). Together we decided to wait and see and I went home. Later, speeding through the dark after a text from her husband that read it was happening and the midwife didn’t think I’d make it, my body remembered this core tenant of birth - unpredictable. I arrived at the hospital and her baby was on her chest, the placenta was born and I took photos of her smiling. Later it amazed her to see them because the whole thing was such a blur and she marveled at her smiling-self. To make up for lost labor photos, I captured them during early postpartum visits between the cluster feeds and questions about sleep and correct flange and nipple size and “is this all normal?”

My pregnancy archives, self portraits as self preservation, the universal resting posture of hand atop belly retroactively acting like a gesture of permission, blessing the breech baby in my body. Returning to birthwork, returning to the operating room and the birth tub, two births in one week. My cesarean incision burned with a memory, my son echoed the sounds of my laboring sister, conversations between two cousins. She birthed her son in the water and I held mine and took photographs then a few hours later I nursed him in bed. Feeling the crown of his head in the palm of my hand I made that familiar gesture and said, “I love the way you were born”.

The option to birth on your bedroom floor or the birth pool in your living room or in the shower or on the toilet or in the hallways of your home. An impermanent portal opens the moment you kneel/squat/hover/push, in the place where they are born and you bleed and are born. The portal closes and returns to just an ordinary corner of the home where you fold laundry, sleep and brush your teeth but you glance at that faint mark left on the carpet and see that a glimmer of your portal still remains.

Sacred cesarean, the muses hovering over a portal, that deep well, the uterine valley, basin of holy waters, our faces peering through a veil, through a window, into that other world. Her body holding her daughter like a wish, like a prayer spoken to the oracles, well wishers in medical masks, surgical artists carefully lifting her up into the spotlight in the speed of light, godspeed birthing. We regard cesarean births as simply a sterilized procedure but that operating theatre is teeming with fertile symbols, organic forms and fluids, large shadows on the wall, every gesture expressing the painterly nuance of this scene at the seance table. We commune with the spirits, summoning from deep inside, from the other side, witnessing the ritual of both giving and receiving a prophecy.

Embracing the blur, limbo moments during birth, the respite between contractions or the opportunity to kiss your partner. When I think about The Couple in my work, what comes to my mind is this elusive almost imaginary thing that I’m always seeking out and trying to capture, sometimes succeeding, often grasping. Blurry glimmers and glimpses, in the center of the birth maelstrom, is where I find The Couple.

Multiple hands receiving her baby and my own blurred fingers in the frame catching the moment with a flash. The months of gestation/the hours of labor, leading to these minutes of vernix and molding and multiple hands.

I’m ~six months into this gestation, feeling the stretch in my skin/soul, leaning into the curvature of my growing body/baby. They’ll move around during the restful moments and I’ll think about that line from T.S Eliot’s Burnt Norton - “at the still point, there the dance is…” Now, when I do anything, I’m imagining my baby born and clung to the outside of my body. Doing dishes, walking dogs or eating - all the while thinking about which part of my body they will be held by after this belly holding phase is over. My arms, my breasts, my back will become new curvatures for them. I’m slanting my gaze and trying to see around the corner of my life but in vain - every prediction returns back to me, in the form of a quiver from the inside of my body. No anxiety, just small gestures and signs of growth in a place that held anxiety before. Stretching? Time/expectations/light/reality, everything orbiting around a moment near Spring Equinox.

Embracing the blur, that spinning room, that oxytocin rush, that initiation and intuition and emotional gush of relief, the release of feeling this part of you from the inside suddenly outside, embracing the blur of his tiny mighty body.

The golden hours, waves of pastel and an instinct to curl around the minutes before they slip away. It hovers in the air, shimmering pink/blue/yellow. The flash on my plastic camera illuminates the limbo between outside/in and curls around the moment. Softly I’ll slip away, returning to my world and looking from the outside in. My life/work is this constant spiral, golden hours turning into days and I’m starting to wonder what it feels like to linger in that bubble.

Breastfeeding/chestfeeding/bodyfeeding/nursing/expressing/massaging/pumping/collecting/sharing. The art of newborn feeding is the art of all consuming care that pulls from a deeply physical and psychic place of love. I watch people feed their babies with an offering of body or bottle or both and feel as though I’m observing something imbued with symbolism of life before and life after, leading to this embodied moment of two bodies coming together.

My feeble attempt to capture early gestation, in the midst of a surreal physical and mental experience that I can only (still) describe as science fiction. Final frames from rolls of film left unfinished from births when the need to take exhaustion and nausea vomit breaks interrupted my workflow. An interesting symbol as I slowly begin to relate to the parenting experience even if it’s just etching myself on the tail end of a roll of film. Cells dividing, self dividing. I feel like a science experiment.

First latch - before the amniotic fluid has dried from her hair, before the blood is wiped away, before the placenta tour from the midwife and the epidural fades, we witness the instinctive process of crawl/root/latch/suck. I absorb every latch into my own psyche not as information but a social phenomenon from which I’ve learned the art of feeding. To my own postpartum I will bring these moments, and hope my body remembers what my eyes have gleaned.

Reaching through to feel her baby’s head while they spiral through womb/water, the full moon pulling and the uterus pushing. Three births in three days, orbiting between belief and disbelief, an old (mid)wives’ tale saying the moon brings on the labors. How can I deny it when I’ve seen it for myself? I’m an atheist caught in the gravitational pull of myth, letting the intoxicating faith wash over me like a wave, like contractions, like a gush of fluid, like baptism.

Birthing at home, birthing in your house, on the bedroom floor, birthing at home in your body, homebody, birthing in your body at home. A birth story about similarities and differences, between daughters and past selves, a baby passed between your legs, from past lives and lineage, in the room together, in the house, in the home, in the family. It’s an honor and a prayer to watch a family multiply before my eyes and before my shutter gaze and before my flashing memory.

First breaths, first screams, the beginning of a timeline that acts more like a labyrinth, through memory and language, spiraling back through this monument of a moment that only lasted a few seconds but imprinted itself on my soul and psyche, my camera slung behind my back mere moments before this moment, both arms supporting her primal intensity in that final push, spiraling through time, like light travel, like a speeding comet and suddenly, in the fraction of a second, my camera spiraled around my body, returning to me, just in time.

My sister! My nephew! My own son clung to my body and witnessed his cousin, crossing threshold, all of us together. We flew across the country to be there and then within hours of arrival her labor started. Baby took the scenic route through the pelvis, slow spiraling, a labor of love, every position under the sun. This was my first time photographing a birth not as doula, just sister, just aunt. Wonderful, surreal. It really does hit different watching your loved one give birth, this sister whose birth was my first birth 30 years ago whose son's birth was my son's first birth. Infinite firsts, interwoven, multiple meanings and beginnings, spiraling, memory, family.

Sullivan in the springtime, the spring when everything around me bloomed while the world was burning down, blooming and burning, the sensation of my milk letting down and the world letting me down, blooming and burning.

I’m contemplating hands, noticing my own hand slip around my belly without thinking; hands clenched during the pushing phase (a prayer) or interlaced together, like these hands several minutes after their baby was born. I’m looking at all the hands on my feed, and remember the visceral feeling of pressing/holding/calming/squeezing. I’m thinking about my firm grip on things, my tight fist relaxing to the possibility of change and new ideas, surprise prayer.

Having and holding, words repeated, avowed and whispered late at night. To have and to hold evolves into a chant, an expression of dynamic movement, hands together in a gesture that offers testimony to things staying the same and things constantly changing. Our boy, the moon, a soliloquy: "I found film just in time". Having a camera and holding a camera and repeating my chant prayer every time you pick up our son.

Cesarean birth/c-section birth/belly birth, all attempts to describe something indescribable. Birthing from your core, seeing through that veil to the other side. I think about the pink membrane of their amniotic sac (see-through) like a stained glass window letting the light inside. This beautiful moment that makes your whole body shake, from hormones, from medication, from emotions. Worship/adoration/reverence for all those who birth in this holy way.

Ekphrasis/Madonna and my feelings about the archetype of Mary from childhood imagination. My fourth trimester and its contemplations, my body memory, my Mary memory. The mysticism of cesarean birth recovery and bodyfeeding and raising a son from spirit, a child from scratch. Images from fourth trimester, shuffled timeline, shuffled memory, shuffled cards.

Birth, when everything culminates and I’m on the edge of my seat, waiting, hovering, crowning begins, first a pulse and a push and soon dark hair starts appearing in the mirror, an invitation to reach through and touch your baby’s head, through legs and water and worlds, assurance and surrealism felt with your fingertips. The edge of time, a moment, the moment between pushing them into the world and holding the world, suspended in that silvery reflection.

Afterbirth, a baby in your arms, still pregnant, still tethered, still attached, still pregnant, waiting for placenta, delivering the after birth, the aftermath of everything that has just transpired, 10 minutes 10 hours 10 months and still longer, stretching long long long enough like your arms reaching, like her umbilical cord, long enough to still be pregnant with baby on your chest. Two worlds, light leaks, blood streaks between thighs, between time and space, preparing for one final push.

Epilogue/Benediction
In the middle of the night, I touch the crown of his head - an orb at the top of my uterus, beneath my ribcage, beneath my heart. I will gently touch it like the beginning of a prayer, like holy water on the tips of my fingers, like the “son” in the sign of the cross. I touch his head, offering or receiving blessing, knowing he’s still breech, knowing he’s mine. I said gestation felt more like science fiction than spiritual phenomenon, but now I’m not so sure what the difference is between the two.

Early this morning, I watched a full moon set over the water while feeding my son, feeding him with my full being (bodyfeeding) and observing that glowing face, staring back at me, observing the moon. Strawberry moon, the name in June, low-hanging fruit, a red orb in the sky. Memory, back in the OR, watching a full moon rise up over the blue, glowing and hovering above the body that is her entire world. Present moment, looking down at my sleeping child then back up into the sky, and the moon has already disappeared into the blue.

Placenta magic placental lore, the stories of mine and yours, the mythos of after birth and interpreting tea leaves, every vessel and artery read like a palm or tarot card.
Placenta magic, my reminder that gestation is science fiction and birth a religion and postpartum our opportunity to divine. The afterbirth of everything that came before, now imprinted on my psyche and my palms and my uterine wall, a hallway of memories and a pulsing umbilical cord tied up in a true knot.

My child, my son! Speed of light, here we are on the other side of a year and your eyelashes as long as ever, five teeth, lighter hair, mysterious eye color (still!) and all joy, a complete time warp, traveling through space to bring you here and submit myself to the stretchiness of parenthood, my limbs elongated to catch, cradle, release back into the world but still close enough for you to crawl pull and ask "up!" and up we go.Solar returns mean something more now, us orbiting together!

Embracing the blur and the improvisation of birth. Baby’s rotation into the world, my rotation around the room, orbiting the scene like a comet. Birth teaches me how to listen with my body, to see with a sixth sense - soft focus.

Fresh from the womb and welcomed by a flash from my disposable camera. Those first few moments of chaos/emotion/fluid/pulsing/vernix/oxytocin happen very quickly but I feel like I'm moving through water. Sometimes I don't get "the shot", sometimes my finger is in the way or the image is blurry from circling the scene trying to find my pocket of space. I'm swimming, orbiting, inhaling the scent of those first several minutes while I'm gently crying on the other side of my camera because your baby is finally here.

Ovulation, implantation, the rapid work of cells dividing, my self dividing, the transformation of self-portraits. Obsession with the ballet Swan Lake because she’s two swans in one. I had dreams about twins, two in one, that returned last night. The shapeshifting of parenthood, an anniversary, an homage to the beginning of this molting process, my swan song, my dueling self. Before this there was a history of phases, short cycles, small bursts. Ovulation, luteal, bleed, swell. Fallopian tubes, ovaries, follicles, endometrium, my comfort zone. I’m a different creature now, no bleeding, no fallopian tubes, no ovulation, instead milk and prolactin and the constancy of a strange new body that feels like a river turning into an ocean or Odette transforming into Odile and back again, two in one.

New year, new third trimester. I’m thinking about the moon, thinking about my amniotic belly and then the ocean, thinking about a dead seagull on the shore. I’m thinking about the time and care that goes into growing an intricate body and then I think about all the bodies in Gaza. My baby undulates like an ocean creature inside of me, my uterus squeezes back. I think about holding them, holding time, holding it together and then I think again about Gaza. Images in my mind of held loved ones, shrouded ones, the smallest and oldest ones, rocking back and forth. I think I’ll always remember this gestation like something orbiting an inhumane genocide, circling me closer to my own humanity and stretching the limits of my ability to hold a glorious and horrible thing simultaneously (holding it together). Now I’m thinking about entering the Year of the Snake - the looping serpent tattoo on my thigh, the sea creature inside of me.

I’m thinking about umbilical cords, thinking about tethers, thinking about lifelines and life forces, thinking about Gaza. I’m thinking about how I’ve suspended the name of that place in my mouth, how my son practices new sounds with his mouth for the first time, how he’s still tethered to me even though the cord is gone, how I’m still connected to him. I’m thinking about everything that goes into forming a human and feeding, protecting and raising a human and I’m thinking about all the invisible umbilical cords in Gaza, tethers cut too early. My mouth is holding the word gauze, Gaza, gazing and my body is pulsing with blood red rage and my son sleeps on my chest, tethered. I’m thinking about all the babies that I’ve seen enter the world and I struggle to fathom the scale of all the babies in Gaza shrouded in gauze while I gaze at my son.

Birth, the iconography of labor, mother Mary on the wall looking down with her gesturing arms, holy waters breaking in the tub, a gush of blood, a baby. Prayer in the form of repetition, every 5 minutes, 4 minutes, 3 minutes, beads for contractions, beads for prayer and for pressure. Subliminally, I think about our childhood home, manzanita trees peeling, two oval windows, the peacocks crying and running through water. Two placentas buried in the ground, pink and white dogwoods blooming, two prayers in the ground, the iconography of labor. I think about my atheism and her Catholicism and the two oval windows facing one another in the house where we were born.

Contractions on the bathroom floor - primal and spiritual, the labor of childbirth and the surrender of self. I'm sitting in the corner, in the corner of that other world, the underworld, with a plastic camera and a flash, with the cords from the nitrous oxide and the IV line just like umbilical cords tethering the labor world to the everyday world, the primal to the sublime. I'm always in your corner at your labor, mirroring with a squat and an exhale and cheering you on, with a flash.

Birth! The flash of precipitous labor and the flash of my camera, the rush of adrenaline and rush of fluids and blood, then a final push and a pulsing cord and oxytocin floods everything, everyone in the room can feel it. This birth was my first birth after becoming pregnant, 5wks along and I was barely certain until this labor when my whole body knew.

“Primipara” or primip, someone who gives birth for the first time. This primipara moved through active labor so fast that I missed her birth. I’d seen her earlier that day, reclining in her bathtub and describing the peak of the contractions as a small hill (not a large wave). Together we decided to wait and see and I went home. Later, speeding through the dark after a text from her husband that read it was happening and the midwife didn’t think I’d make it, my body remembered this core tenant of birth - unpredictable. I arrived at the hospital and her baby was on her chest, the placenta was born and I took photos of her smiling. Later it amazed her to see them because the whole thing was such a blur and she marveled at her smiling-self. To make up for lost labor photos, I captured them during early postpartum visits between the cluster feeds and questions about sleep and correct flange and nipple size and “is this all normal?”

My pregnancy archives, self portraits as self preservation, the universal resting posture of hand atop belly retroactively acting like a gesture of permission, blessing the breech baby in my body. Returning to birthwork, returning to the operating room and the birth tub, two births in one week. My cesarean incision burned with a memory, my son echoed the sounds of my laboring sister, conversations between two cousins. She birthed her son in the water and I held mine and took photographs then a few hours later I nursed him in bed. Feeling the crown of his head in the palm of my hand I made that familiar gesture and said, “I love the way you were born”.

The option to birth on your bedroom floor or the birth pool in your living room or in the shower or on the toilet or in the hallways of your home. An impermanent portal opens the moment you kneel/squat/hover/push, in the place where they are born and you bleed and are born. The portal closes and returns to just an ordinary corner of the home where you fold laundry, sleep and brush your teeth but you glance at that faint mark left on the carpet and see that a glimmer of your portal still remains.

Sacred cesarean, the muses hovering over a portal, that deep well, the uterine valley, basin of holy waters, our faces peering through a veil, through a window, into that other world. Her body holding her daughter like a wish, like a prayer spoken to the oracles, well wishers in medical masks, surgical artists carefully lifting her up into the spotlight in the speed of light, godspeed birthing. We regard cesarean births as simply a sterilized procedure but that operating theatre is teeming with fertile symbols, organic forms and fluids, large shadows on the wall, every gesture expressing the painterly nuance of this scene at the seance table. We commune with the spirits, summoning from deep inside, from the other side, witnessing the ritual of both giving and receiving a prophecy.

Embracing the blur, limbo moments during birth, the respite between contractions or the opportunity to kiss your partner. When I think about The Couple in my work, what comes to my mind is this elusive almost imaginary thing that I’m always seeking out and trying to capture, sometimes succeeding, often grasping. Blurry glimmers and glimpses, in the center of the birth maelstrom, is where I find The Couple.

Multiple hands receiving her baby and my own blurred fingers in the frame catching the moment with a flash. The months of gestation/the hours of labor, leading to these minutes of vernix and molding and multiple hands.

I’m ~six months into this gestation, feeling the stretch in my skin/soul, leaning into the curvature of my growing body/baby. They’ll move around during the restful moments and I’ll think about that line from T.S Eliot’s Burnt Norton - “at the still point, there the dance is…” Now, when I do anything, I’m imagining my baby born and clung to the outside of my body. Doing dishes, walking dogs or eating - all the while thinking about which part of my body they will be held by after this belly holding phase is over. My arms, my breasts, my back will become new curvatures for them. I’m slanting my gaze and trying to see around the corner of my life but in vain - every prediction returns back to me, in the form of a quiver from the inside of my body. No anxiety, just small gestures and signs of growth in a place that held anxiety before. Stretching? Time/expectations/light/reality, everything orbiting around a moment near Spring Equinox.

Embracing the blur, that spinning room, that oxytocin rush, that initiation and intuition and emotional gush of relief, the release of feeling this part of you from the inside suddenly outside, embracing the blur of his tiny mighty body.

The golden hours, waves of pastel and an instinct to curl around the minutes before they slip away. It hovers in the air, shimmering pink/blue/yellow. The flash on my plastic camera illuminates the limbo between outside/in and curls around the moment. Softly I’ll slip away, returning to my world and looking from the outside in. My life/work is this constant spiral, golden hours turning into days and I’m starting to wonder what it feels like to linger in that bubble.

Breastfeeding/chestfeeding/bodyfeeding/nursing/expressing/massaging/pumping/collecting/sharing. The art of newborn feeding is the art of all consuming care that pulls from a deeply physical and psychic place of love. I watch people feed their babies with an offering of body or bottle or both and feel as though I’m observing something imbued with symbolism of life before and life after, leading to this embodied moment of two bodies coming together.

My feeble attempt to capture early gestation, in the midst of a surreal physical and mental experience that I can only (still) describe as science fiction. Final frames from rolls of film left unfinished from births when the need to take exhaustion and nausea vomit breaks interrupted my workflow. An interesting symbol as I slowly begin to relate to the parenting experience even if it’s just etching myself on the tail end of a roll of film. Cells dividing, self dividing. I feel like a science experiment.

First latch - before the amniotic fluid has dried from her hair, before the blood is wiped away, before the placenta tour from the midwife and the epidural fades, we witness the instinctive process of crawl/root/latch/suck. I absorb every latch into my own psyche not as information but a social phenomenon from which I’ve learned the art of feeding. To my own postpartum I will bring these moments, and hope my body remembers what my eyes have gleaned.

Reaching through to feel her baby’s head while they spiral through womb/water, the full moon pulling and the uterus pushing. Three births in three days, orbiting between belief and disbelief, an old (mid)wives’ tale saying the moon brings on the labors. How can I deny it when I’ve seen it for myself? I’m an atheist caught in the gravitational pull of myth, letting the intoxicating faith wash over me like a wave, like contractions, like a gush of fluid, like baptism.

Birthing at home, birthing in your house, on the bedroom floor, birthing at home in your body, homebody, birthing in your body at home. A birth story about similarities and differences, between daughters and past selves, a baby passed between your legs, from past lives and lineage, in the room together, in the house, in the home, in the family. It’s an honor and a prayer to watch a family multiply before my eyes and before my shutter gaze and before my flashing memory.

First breaths, first screams, the beginning of a timeline that acts more like a labyrinth, through memory and language, spiraling back through this monument of a moment that only lasted a few seconds but imprinted itself on my soul and psyche, my camera slung behind my back mere moments before this moment, both arms supporting her primal intensity in that final push, spiraling through time, like light travel, like a speeding comet and suddenly, in the fraction of a second, my camera spiraled around my body, returning to me, just in time.

My sister! My nephew! My own son clung to my body and witnessed his cousin, crossing threshold, all of us together. We flew across the country to be there and then within hours of arrival her labor started. Baby took the scenic route through the pelvis, slow spiraling, a labor of love, every position under the sun. This was my first time photographing a birth not as doula, just sister, just aunt. Wonderful, surreal. It really does hit different watching your loved one give birth, this sister whose birth was my first birth 30 years ago whose son's birth was my son's first birth. Infinite firsts, interwoven, multiple meanings and beginnings, spiraling, memory, family.

Sullivan in the springtime, the spring when everything around me bloomed while the world was burning down, blooming and burning, the sensation of my milk letting down and the world letting me down, blooming and burning.

I’m contemplating hands, noticing my own hand slip around my belly without thinking; hands clenched during the pushing phase (a prayer) or interlaced together, like these hands several minutes after their baby was born. I’m looking at all the hands on my feed, and remember the visceral feeling of pressing/holding/calming/squeezing. I’m thinking about my firm grip on things, my tight fist relaxing to the possibility of change and new ideas, surprise prayer.

Having and holding, words repeated, avowed and whispered late at night. To have and to hold evolves into a chant, an expression of dynamic movement, hands together in a gesture that offers testimony to things staying the same and things constantly changing. Our boy, the moon, a soliloquy: "I found film just in time". Having a camera and holding a camera and repeating my chant prayer every time you pick up our son.

Cesarean birth/c-section birth/belly birth, all attempts to describe something indescribable. Birthing from your core, seeing through that veil to the other side. I think about the pink membrane of their amniotic sac (see-through) like a stained glass window letting the light inside. This beautiful moment that makes your whole body shake, from hormones, from medication, from emotions. Worship/adoration/reverence for all those who birth in this holy way.


































